A clock

Peer and I have spent today building HTML / JavaScript clocks.

I thought I would create an analogue clock, but with a few alterations to make it an interesting project; I was also keen to avoid using any image files, so radial gradients seemed like a good option. Because we’re using the client-side time, this experiment does use JavaScript; also, as I’ve used gradient backgrounds, this will only work in Mozilla and Webkit browsers.

Here’s the result:

Cell clock screenshot at 17:34

http://playground.matthewbutt.com/clock.htm

Addendum: you can see Peer’s clock at http://www.curiouspixels.co.uk/peersclock/

i10

The other week, during some time we had off work, Peer and I went to did a cultural expedition to the two Tates to see the Henry Moore, Chris Ofili and van Doesburg exhibitions. The last of these gave us the most inspiration: Peer was transfixed by the animated films, and I found plenty of typography and print design to keep me excited.

So here’s a quick attempt to reproduce one of the designs; it’s César Domela’s cover for the 4th edition of i10:

And here’s my attempt:

i10 as a web page

http://playground.matthewbutt.com/i10.htm

No terribly exciting techniques in this one: just web fonts and some use of nth-child.

Acknowledgments

Books

Fonts

CSS Seesaw

It’s Friday night, so not a big one tonight.

I thought I would have a quick play with CSS transitions, and nothing seemed a better demonstration than a seesaw.

Here it is (warning: this only works in Webkit browsers at the time of writing):

A red seesaw with a black ball on it, all balanced on a black pivot

http://playground.matthewbutt.com/seesaw.htm

This little animation uses two transitions: one to tip the seesaw back and forth, and the other to roll the ball from one end to the other. There were only two slightly complex matters here: I needed to brush up on my A-level trig to get all the distances right, and a little sleight of hand was in order to create the triangular pivot (fire up Firebug if you want to see how I did it).

There are a few small bugs: poor aliasing, and a ghost top border on the seesaw element, but they can wait for another day.

And now, goodnight!

Constructivism Part II

Following on from yesterday’s work, another experiment today, and this time I chose a real piece of constructivist design to copy:

Image composed of text, semicircular blocks of colour, and diagonally placed squares and strips
The simple lines of this image make it fairly straightforward to lay out in HTML and CSS:

http://playground.matthewbutt.com/why.htm

Here’s how I did it:

My h1 contains the text ‘WHY?’. The h1 is a 200px square absolutely positioned on the page.

To create the semi-circle, I’ve given this element two background gradients: the first uses a linear gradient to draw two blocks of colour on the page: the upper block is solid parchment colour, whilst the lower block is transparent.

In Mozilla this is marked up like this:

-moz-linear-gradient(top, #F1ECD9 100px, rgba(241, 236, 217, 0) 100px)

In Webkit is takes this form:

-webkit-gradient(linear, 0 100, 0 200, from(#F1ECD9), color-stop(0, rgba(241, 236, 217, 0)), to(rgba(241, 236, 217, 0)))

You’ll see that I’ve defined the transparent colour as rgba(241, 236, 217, 0) rather than simply transparent; I found that using simple transparent gave me some ghosting, which is clearly not the intention.

Underneath this gradient is a second background, which this time defines a radial gradient:

-moz-radial-gradient(100px 100px, circle cover, black 100px, #F1ECD9 100px, #F1ECD9 200px)

-webkit-gradient(radial, 100 100, 100, 100 100, 200, from(black), color-stop(0, #F1ECD9), to(#F1ECD9))

In each case, this draws a 100px-radius black circle, followed by an area of parchment colour.

The lipsum content with the inverted red semicircle is coded in a similar way, although I could do away with the linear gradient, as my p tags give me the perfect hooks for a parchment-coloured background without worrying about gradients. The text is shifted down with a simple padding-top rule, and the red line down the side is an equally straightforward border-right.

The large red square doesn’t actually exist: it’s an :after pseudo-element on the body tag, which is then sized, positioned and rotated. I had to give it content(' ') to get it to appear, but otherwise it’s pure smoke and mirrors.

Finally, the three 45° links were interesting to position:

They start off as three li elements arranged normally on the screen:

Three blocks, one above the other, with space between

Next, I rotate the containing ul by 90° widdershins around its top right corner:

Three blocks next to each other with the text running bottom to top

Finally, I rotate each li by 45° clockwise around what was originally its middle-right and is now its top-centre:

Three diagonal blocks next to each other

These are then positioned absolutely on the page.

And that’s my piece of constructivist CSS for the day.

I have one outstanding problem: the edges of my semi-circles are unpleasantly aliased. I’ve tried leaving a small gap between the colour stop points in the gradient to see if that helps, but the effect is pretty unsatisfactory. Any suggestions would be welcome!

Acknowledgments

Fonts

Sites

Look mum: no images!

One of the downsides of specialising is leaving behind areas of knowledge you used to love. As I have specialised in the programming side of web development, I have found myself getting further and further away from working with HTML and CSS, and letting my markup skills get rather rusty.

Of course, over the last couple of years, all sorts of exciting things have been happening with HTML and CSS, as browsers implement more features of HTML 5 and CSS 3, and the skills and techniques I used to be able to boast of are now anything but cutting edge.

So I thought I should do something about it, and there’s no better way to deal with something like this than to have a good play around. The following pages are rendered entirely using HTML and CSS; no images were harmed in the preparation of these pages.

Note: these pages render correctly in Firefox 3.6 and Safari 4.0.4. They probably don’t work in older versions and are most definitely NSFIE.

Landscape

First, then, I thought I would have a bit of a play with web fonts, gradients and transformations. Here’s the result:

Pale blue sky with yellow sun made from the word 'sunshine' repeated 13 times; green earth fades to brown with 'earth' in large brown letters

http://playground.matthewbutt.com/landscape.htm

It took a little adjustment to get the rays of sunshine correctly positioned: the key was to position the transform origin at 50% of the height of the text.

Constructivism

Next I thought I would try my hand at a little faux-constructivist design. The simplicity and clear colours of constructivist design are perfect for online material, but the jaunty angles have always posed a major problem: either render the text as images, or give up. With CSS 3’s transformations, this is no longer a problem, and there’s scope for a Russian revival:

'Construction site' in red and black crosses at an angle with 'a page of experimental stuff'; six yellow-and-black blocks float above

http://playground.matthewbutt.com/construction.htm

Again, getting everything to line up took a little getting used to, and it boiled down to the same issue: getting the transform origin of every element in the same place, and then rotating around that point.

A real-world example: Magazine’s Touch and Go

Ok, my constructivist sketch isn’t exactly high design, so I thought I would find something that had already been done, and have a go at copying it.

Here is the cover of Magazine’s 1977 debut single, Touch and Go:

Five red and black blocks stand side by side but at different vertical positions; 'Magazine' runs through them; underneath 'touch and go' and 'goldfinger' are arranged asymmetrically

And here is a quick HTML version:

http://playground.matthewbutt.com/magazine.htm

The only advanced technique here is the use of web fonts, although I’ve made liberal use of the :nth-child pseudo-class to apply styles to the coloured panels. I have to confess to using a few non-essential spans for this one, but I think the result is pretty pleasing for an image-free page.

And that’s my lot for today. There’s plenty more excitement in the latest implementations of HTML and CSS, so I’ll post some more experiments when I have a moment.

Acknowledgments

Fonts

Books